/2019/ 52’/ v.o it , engl.
A young african man built his life in Ticino but must leave. His tragic death reveals the deep roots he planted in Switzerland and the weight of his past.
CH / 2018/ 80′ / v.o. it, engl subt.
Barbara, in her forties, has a child and a husband, but she doesn’t feel like a mother. No mother instinct rescues her. She leaves, convinced that there would be more damage if she stayed. How will she find her way after this radical choice?
In ARCHI, Rivista svizzera di architettura, ingegneria e urbanistica.
n° 4. Luoghi e architetture del cinema, p.81
2018/ 50’/ v.o.it
What is left of the sanatorium that cured Andrea Artoni’s tuberculosis, when he was a boy, and changed his life?
/2016/ 52′ /v.o.it
It’s the rescue number. It looks like a call centre but it saves lives.
/2017/ 52’/ v.o. it
Leave all you built in a small city to move to Berlin with the whole family.
/2012/ 52” / v.o. it/fr
Three women take us into their body-experience.
CH / 2008 / Beta-D / 18′
A summer residence, in the middle of a beautiful park, with rare trees and flowers, that became the home of the family during WorldWar II. The summer residence that became a public museum in the 1980ies, and the echoes of that past life, in the house, in the park.
CH / 2005 / Beta-D / 76′
Who was Sarita Gómez, afrocuban film maker who died young in the 70ies and left husband, children, family, and who knew her and worked with her, to regret her? What is left of her vision of life, of her way to try and bring together opposites? By telling the shoot of her fiction “De Cierta Manera”, this film tries to explore her destiny and where she is to be found now.
CH / 2004 / trilogy (1/3) / Beta-Sp / 30′ 31”
How long can you regularly be apart from your partner because of mutual work opportunities that separate you? How long before you remember that certain kind of look or smile, without looking at her/his picture? How about the closeness to other people she/he can’t feel because she/he’s not here?
©Alessandra Müller, 2021.
